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I came in with Halley’s Comet in 1835. It is coming again next year, and I expect to go out with it. It will be the greatest disappointment of my life if I don’t go out with Halley’s Comet. The Almighty has said, no doubt: ‘Now here are these two unaccountable freaks; they came in together, they must go out together.’ Oh, I am looking forward to that.

Mark Twain speaking with his first biographer Albert Paine about his unique “relationship” with Halley’s Comet. 

The comet appeared on November 16, 1835, exactly two weeks before the author’s birth.

It returned on April 20, 1910. Twain died the next day.

The original NY Times obit on Mr. Twain.

(via obitoftheday)
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A British artist of Nigerian descent, Shonibare (b. 1962) creates work that cites the artistic and intellectual history of Europe. His sculptures—life-sized mannequins clothed in the Dutch wax fabrics associated with Africa—offer a dramatic, playful, irreverent examina­tion of identity, history, and politics.Yinka Shonibare MBE’s decapitated mannequins in their vibrant batik fabric outfits cavort through a collage of influences that the British-born, Nigeria-raised artist has excavated from the complicated history of culture.
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A British artist of Nigerian descent, Shonibare (b. 1962) creates work that cites the artistic and intellectual history of Europe. His sculptures—life-sized mannequins clothed in the Dutch wax fabrics associated with Africa—offer a dramatic, playful, irreverent examina­tion of identity, history, and politics.Yinka Shonibare MBE’s decapitated mannequins in their vibrant batik fabric outfits cavort through a collage of influences that the British-born, Nigeria-raised artist has excavated from the complicated history of culture.
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A British artist of Nigerian descent, Shonibare (b. 1962) creates work that cites the artistic and intellectual history of Europe. His sculptures—life-sized mannequins clothed in the Dutch wax fabrics associated with Africa—offer a dramatic, playful, irreverent examina­tion of identity, history, and politics.Yinka Shonibare MBE’s decapitated mannequins in their vibrant batik fabric outfits cavort through a collage of influences that the British-born, Nigeria-raised artist has excavated from the complicated history of culture.
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A British artist of Nigerian descent, Shonibare (b. 1962) creates work that cites the artistic and intellectual history of Europe. His sculptures—life-sized mannequins clothed in the Dutch wax fabrics associated with Africa—offer a dramatic, playful, irreverent examina­tion of identity, history, and politics.Yinka Shonibare MBE’s decapitated mannequins in their vibrant batik fabric outfits cavort through a collage of influences that the British-born, Nigeria-raised artist has excavated from the complicated history of culture.
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A British artist of Nigerian descent, Shonibare (b. 1962) creates work that cites the artistic and intellectual history of Europe. His sculptures—life-sized mannequins clothed in the Dutch wax fabrics associated with Africa—offer a dramatic, playful, irreverent examina­tion of identity, history, and politics.Yinka Shonibare MBE’s decapitated mannequins in their vibrant batik fabric outfits cavort through a collage of influences that the British-born, Nigeria-raised artist has excavated from the complicated history of culture.

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